1. Language:
We now turn to some outline of the civilization of the Egyptians. The language had primitive relations with the Semitic and the Libyan. Perhaps one common stock has separated into three languages--Semitic, Egyptian, and Libyan. But though some basal words and grammar are in common, all the bulk of the words of daily life were entirely different in the three, and no one could be said to be derived from the other. Egyptian so far as we can see, is a separate language without any connection as close as that between the Indo-European group. From its proximity to Syria, Semitic loan words were often introduced, and became common in the XVIIIth Dynasty and fashionable in the XIXth. The language continually altered, and decayed in the later periods until Coptic is as different from it as Italian is from Latin.
2. Writing:
The writing was at first ideographic, using a symbol for each word. Gradually, signs were used phonetically; but the symbol, or some emblem of the idea of the word, continued to be added to it, now called a determinative. From syllabic signs purely alphabetic signs were produced by clipping and decay, so that by 1000 to 500 BC the writing was almost alphabetic. After that it became modified by the influence of the short Greek alphabet, until by 200 AD it was expressed in Greek letters with a few extra signs. The actual signs used were elaborate pictures of the objects in the early times, and even down to the later periods very detailed signs were carved for monumental purposes. But as early as the Ist Dynasty a very much simplified current hand had been started, and during the pyramid period this became hardly recognizable from the original forms. Later on this current hand, or hieratic, is a study by itself and was written much more fully than the hieroglyphs on monuments, as its forms were so corrupt that an ample spelling was needed to identify the word. By about 800 BC begins a much shortened set of signs, still more remote from their origins, known as demotic, which continued as the popular writing till Roman times. On public decrees the hieroglyphic and demotic are both given, showing that a knowledge of one was useless for reading the other, and that they were separate studies.
3. Literature:
The literature begins during the pyramid period, before 4000 BC, with biographies and collections of maxims for conduct; these show well-regulated society, and would benefit any modern community in which they were followed. In the XIIth Dynasty tales appear, occupied with magic and foreign travel and wonders. A long poem in praise of the king shows very regular versification and system, of the type of Ps 136:1-26, the refrain differing in each stanza and being probably repeated in chorus, while the independent lines were sung by the leader. In the XVIIIth Dynasty, tales of character begin to develop and show much skill, long annals were recorded, and in the XIXth Dynasty there is an elaborate battle poem describing the valor of Rameses II. At about 700 BC there is a considerable tale which describes the quarrels of the rival chiefs, and the great fight regulated like a tournament by which the differences were settled. Such are the principal literary works apart from business documents.
4. Four Views of Future Life:
The religion of Egypt is an enormous subject, and that by which Egypt is perhaps most known. Here we can only give an outline of the growth and subdivisions of it. There never was any one religion in Egypt during historic times. There were at least four religions, all incompatible, and all believed in at once in varying degrees. The different religions can best be seen apart by their incongruity regarding the future life.
(1) The dead wandered about the cemetery seeking food, and were partly fed by the goddess in the sycamore tree. They therefore needed to have plates of food and jars of water in the tomb, and provided perpetually by their descendants in front of the doorway to the grave. The deceased is represented as looking out over this doorway in one case. Here came in the great principle of substitution. For the food, substitute its image which cannot decay, and the carved table of offerings results. For the farmstead of animals, substitute its carved image on the walls and the animal sculptures result. For the life of the family, substitute their carved figures doing all that was wanted, sacrificing and serving, and the family sculptures result. For the house, substitute a model upon the grave, and the pottery soul-houses appear with their furniture and provisions. For the servants, put their figures doing household work, and their service is eternal. For the master himself, put the most lifelike image that can be made, and his soul will occupy that as a restful home fitted for it. This principle is still believed in. Funeral offerings of food are still put even in Muslim graves, and a woman will visit a grave, and, removing a tile, will talk through a hole to her dead husband.
(2) The dead went to the kingdom of Osiris, to which only the good were admitted, while the evil were rejected, and consumed either by monsters or by fire. This heavenly kingdom was a complete duplicate of the earthly life. They planted and reaped, sported and played. And as the Egyptian felicity consisted in making others work for them, so each man was provided with a retinue of serfs to cultivate the land for him. These ushabti figures in later times usually number 400, and often 1 in 10 of them is clad as an overseer. A special chapter of the Book of the Dead is to be recited to animate them, and this, more or less abbreviated, is often inscribed upon the figures.
(3) The dead joined the company of the immortal gods, who float on the heavenly ocean in the boat of the sun. With them they have to face the terrors of the hours of the night when the sun goes through the underworld. Long charms and directions are needed for safety in this passage, and these form a large part of the funerary tests, especially on the Tombs of the Kings in the XVIIIth-XXIst Dynasties. To reach the boat of the sun a boat must be provided in the tomb, with its sailors and sails and oars. Such are frequent from the VIth-XIIIth Dynasties.
(4) The dead were carried off by the Hathor cow, or a bull, to wait for a bodily resurrection. In order to preserve the body for some life after the present age, each part must be protected by an appropriate amulet; hence, dozens of different amulets were placed on the body, especially from about 600-400 BC.
Now it will be seen that each of these beliefs contradicts the other three, and they represent, therefore, different religious origins.
5. Four Groups of Gods:
The mythology is similarly diverse, and was unified by uniting analogous gods. Hence, when we see the compounds such as Ptah-Sokar-Osiris, or Amen-Ra or Osiris-Khentamenti, it is clear that each god of the compound belongs to a different religion, like Pallas-Athene or Zeus-Labrandeus, in Greek compounds. So far as we can at present see, the gods linked with each of the beliefs about the soul are as follows:
(1) The Soul in the Tombs and Cemetery.
With this belief belong the animal gods, which form the earliest stratum of the religion; also Sokar the god of "Silence," and Mert Sokar, the "Lover of Silence," as the gods of the dead. With this was allied a belief in the soul sometimes going to the west, and hence, Khent-amenti, a jackal-headed god, "he who is in the west," became the god of the dead.
(2) The Soul in the Heavenly Kingdom.
Osiris is the lord of this kingdom, Isis his sister-wife, Horus their son, Nebhat (Nephthys) the sister of Isis, and Set her husband. Set also was regarded as coequal with Horus. This whole mythology results probably from the fusion of tribes who were originally monotheistic, and who each worshipped one of these deities. It is certain that the later parts of this mythology are tribal history, regarded as the victories and defeats of the gods whom the tribes worshipped.
(3) The Soul in the Sun-Boat.
Ra was the Sun-god, and in other forms worshipped as Khepera and Atmu. The other cosmic gods of the same group are Nut, the heaven, and her husband Geb, the earth; Shu, space, and his sister Tefnut. Anher the Sky-god belongs to Upper Egypt.
(4) The Mummy with Amulets, Preserved for a Future Life.
Probably to this group belong the gods of principles, Hathor the female principle; Min the male principle; Ptah the architect and creator of the universe; his spouse Maat, abstract truth and justice.
6. Foreign Gods:
Foreign gods frequently appear also in Egypt, mostly from Syria. Two importations were of great effect. Aton the radiant energy of the sun, the Adon or "lord," Adonai, Adonis, was introduced as a sole deity by Akhenaton 1380 BC, and all other gods were proscribed. This was a strictly rational and scientific religion, attributing all life and power to the action of the sun's rays; but it only lasted 20 years in Egypt, and then vanished. The other important worship was that of Zeus Sarapis. The Zeus statue is said to have been imported from Sinope by Ptolemy I, but the Sarapis was the god of Memphis, Osarhapi, the Osiris form of the Hapi bull. The Egyptian worshipped his old gods; the Greek was satisfied with Zeus; and both nations united in adoring Zeus Sarapis. The temples and ritual are too wide a subject to touch in our present space; but the essential principle was that of providing a banquet for the god, and feasting in his temple, not that of an expiatory sacrifice or burnt offering, which is Semitic.
7. Laws:
The laws are but little known until the late Greek accounts. Marriage was usual with a sister, but this may have been with a half-sister, as among the Greeks and early Hebrews. Polygamy was unusual, but was legal, as many as six wives being represented in one instance. Kings of course had unlimited harems. Divorce was unusual, but was probably easy. In Coptic times a marriage contract provides for divorce by either party, upon paying six times the marriage gift. Property was strictly guarded.
8. Character:
The national character was easygoing, kindly, never delighting in torture like the Assyrians and Romans, but liable to be too slack and careless. Firmness, decision and fortitude were held up as the leading virtues. The structure of society, the arts and the industries are outside of the scope of this article.
(For differing views on chronology and sites, see articles EXODUS; WANDERINGS OF ISRAEL; PITHOM; RAAMSES, etc., and on individual kings, etc., articles under their names, and EGYPTIAN KINGS.)
LITERATURE.
Works in English, that are the most accessible, are stated in preference to foreign works, the references to which will be seen in the books stated below.
The Country:
Baedeker's Egypt; on the flora, Petrie, Hawara, Biahmu, and Arsioe.
The History:
Prehistoric: Petrie, Diospolis Parva, etc.; de Morgan, Recherches; Maspero, The Dawn of Civilization, The Struggle of the Nations, The Passing of the Empires; Petrie, Student's History of Egypt; Breasted, A History of Egypt, etc. On the Ist-IInd Dynasties, Petrie, Royal Tombs. On the IIId-VIth Dynasties, Petrie, The Pyramids and Temples of Gizeh; Murray, Saqqara Mastabas I. On the VIIth-XIVth Dynasties, Petrie, Gizeh and Rifeh; de Morgan, Dahchour, I, II. On the XVth-XXIVth Dynasties, Weigall, Guide to Antiquities; Baedeker on Thebes; Petrie, Six Temples at Thebes. On the XXVth Dynasty to Roman times, Petrie, Temple of Apries; Mahaffy, The Empires of the Ptolemies; Milne, History of Egypt under Roman Rule. On the early foreign connections, Petrie, Methods and Aims in Archaeology.
On the Semitic Connections:
Petrie, Syria and Egypt from the Tell el-Amarna Tablets.
On the Old Testament Connections:
Petrie, Egypt and Israel.
On the Language:
Murray, Elementary Grammar.
On the Writing and Literature:
Erman, Life in Ancient Egypt; Petrie, Egyptian Tales, I, II.
On the Religion:
Wiedemann, Religion of the Ancient Egyptians.
On the Customs:
Wilkinson, Manners and Customs of the Ancient Egyptians.
On the Arts:
Petrie, The Arts and Crafts of Ancient Egypt.
W. M. Flinders Petrie